Large scale
Nemba
oil on canvas, 60" x 78"
$9,600
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Sintra
oil on canvas, 48" x 60"
$7,000
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Other work
Later
gouache on paper, 17" x 20.25"
$1,800
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Shapes
gouache on paper, 22.25" x 30.25"
$2,700
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B Minor
oil on linen, 18" x 24"
$2,300
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Duet in Green
oil on panel, 24" x 29.75"
$3,500
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For One Left Dreaming
oil on panel, 24" x 23.75"
$2,800
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Landed
oil on panel, 20" x 16"
$1,900
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Looking for Sibelius
oil on linen, 20" x 22"
$2,400
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Loose Ends
oil on panel, 20" x 16"
$1,900
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Loose Lips Sink Ships
oil on panel, 24" x 29.75"
$3,500
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Overheard Conversations
oil on canvas, 24" x 24"
$2,800
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Shoot
oil on panel, 18" x 24"
$2,300
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Unsaid Things Won't Exist
oil on panel, 24" x 29.75"
$3,500
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Violet
oil on panel, 18" x 24"
$2,300
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Yellow House
oil on panel, 18" x 24"
$2,300
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Listen to the paint
Later
gouache on paper, 17" x 20.25"
$1,800
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White Horses on the Black Sea
gouache on paper, 17" x 20.5"
$1,800
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War on Snow
gouache on paper, 17" x 20.75"
$1,800
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The Smell of Color
gouache on paper, 16.75" x 20.5"
$1,800
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Small Painting for War
gouache on paper, 17" x 20.75"
$1,800
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Moving Ukraine
gouache on paper, 16.75" x 20.75"
$1,800
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Drawn Borders
gouache on paper, 22.25" x 30.25"
$2,700
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Pangea
gouache on paper, 22.25" x 30.25"
$2,700
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New Map
gouache on paper, 22.25" x 30.25"
$2,700
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Chasing Shapes
gouache on paper, 22.25" x 30.25"
$2,700
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Monochromatics
Anticline
oil/wax on panel, 30" x 30"
$4,300
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Conodonts
oil/wax on panel, 36" x 36"
$4,800
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Cooker
mixed media on panel, 30" x 24"
$3,500
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Henge
oil/wax on panel, 48" x 48"
$6,700
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Slaty Cleavage
oil/wax on panel, 48" x 48"
$6,700
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Traipse
mixed media on panel, 24" x 30"
$3,500
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Present
Apron
gouache on paper, 10.25" x 11.125"
$1,000
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Block
gouache on paper, 11" x 10.5"
$1,000
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Exit
gouache on paper, 8" x 6.5"
$900
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From Now On
gouache on paper, 16.75" x 20.75"
$1,800
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Rif
gouache on paper, 8.5" x 8.75"
$980
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Speck
gouache on paper, 9" x 8.5"
$980
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Web
gouache on paper, 10.25" x 11.25"
$1,000
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As a child, Harriet Yale Russell sat with her mother the painter, watching with fascination as she brushed watercolors across flat surfaces to make pictures. Soon, young Harriet took up her own brush and began to paint alongside her mother. To Harriet, painting was the most natural act in the world. “I was born to it,” she says. “I thought that’s what we were supposed to do.”
What the budding artist saw on the outside inspired her, but what she felt on the inside moved her, and continues to drive her today. The innate desire to create, to explore intangible feelings through tangible means, and to realize complex visions and dreams in two dimensions are the guideposts that loosely delineate Harriet Yale Russell’s work as an artist.
Not satisfied by any one composition or series of paintings, Russell revels in the mystery and adventure of art making. Accepting the fact that she never quite knows where any one piece will take her, Russell finds the process of discovery to be the motivating force behind her work—its raison d’ệtre. “I think it’s the wonder of it, that you don’t know what you’re doing,” she says. Her thrill lies in continually searching for the right shape or color or combination thereof, and then in the momentary satisfaction as they coalesce in a visually and emotionally engaging manner.