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## Tour
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### Title
tour.name = Contemporáneos Hispanos Group Exhibition
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HTMLText_062AD830_1140_E215_41B0_321699661E7F.html = Contemporáneos Hispanos
Nicholas Herrera ~ Patrick McGrath Muñiz ~ Thomas Vigil
Open now - through July 25th
This exhibition presenting artistic expression pertinent to our world today by three Hispanic contemporaries. These individual artists worked independently in quarantine without a directed theme for the exhibition, yet each brought forth timely and compelling work reflecting his personal experience and reflection to these unprecedented times revealing parallel messages.
How to navigate:
This info window can always be opened by clicking the (i) icon below/right.
The tour will automatically move through the galleries. Take control of the tour at anytime by left clicking (swipe in mobile) and moving your mouse around the space.
Click on any artwork to obtain relevant information and an inquiry link.
To move between galleries, click on pulsating arrows in the pathways.
Music can be adjusted on your device or at the menu icon located at top/right.
We would love receive feedback from you on your experience and thoughts on our new platform via email or call us at 505.995.9902. Although the gallery is currently not open to visitors, we are available 10am — 5pm daily and eager to assist you.
Please share Virtual Visit with your friends and thank you for dropping by!
___
LOREM IPSUM
DOLOR SIT AMET
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LOREM IPSUM
DOLOR SIT AMET
JOHN DOE
LICENSED REAL ESTATE SALESPERSON
Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com
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JOHN DOE
LICENSED REAL ESTATE SALESPERSON
Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com
Mauris aliquet neque quis libero consequat vestibulum. Donec lacinia consequat dolor viverra sagittis. Praesent consequat porttitor risus, eu condimentum nunc. Proin et velit ac sapien luctus efficitur egestas ac augue. Nunc dictum, augue eget eleifend interdum, quam libero imperdiet lectus, vel scelerisque turpis lectus vel ligula. Duis a porta sem. Maecenas sollicitudin nunc id risus fringilla, a pharetra orci iaculis. Aliquam turpis ligula, tincidunt sit amet consequat ac, imperdiet non dolor.
Contemporáneos Hispanos
Nicholas Herrera ~ Patrick McGrath Muñiz ~ Thomas Vigil
Open now - through July 25th
This exhibition presenting artistic expression pertinent to our world today by three Hispanic contemporaries. These individual artists worked independently in quarantine without a directed theme for the exhibition, yet each brought forth timely and compelling work reflecting his personal experience and reflection to these unprecedented times revealing parallel messages.
How to navigate:
This info window can always be opened by clicking the (i) icon below/right.
The tour will automatically move through the galleries. Take control of the tour at anytime by left clicking (swipe in mobile) and moving your mouse around the space.
Click on any artwork to obtain relevant information and an inquiry link.
To move between galleries, click on pulsating arrows in the pathways.
Music can be adjusted on your device or at the menu icon located at top/right.
We would love receive feedback from you on your experience and thoughts on our new platform via email or call us at 505.995.9902. Although the gallery is currently not open to visitors, we are available 10am — 5pm daily and eager to assist you.
Please share Virtual Visit with your friends and thank you for dropping by!
Christopher Benson
I make pictures of a lot of different things. Sometimes I paint seascapes, sometimes landscapes or street scenes. Occasionally, I set figures in interiors or other architectural spaces. Some of these pictures are taken from things I saw directly. Others are conjured from memory, or from an accumulated compendium of internalized views.
But whether literally representational or imagined, I mean for all of my pictures to invite the viewer in with a sense of the familiar, while yet distilling some essential character of the subject that may feel surprising or even a bit odd. I find that I can achieve this by stripping out a great deal of extraneous detail in order to get to the boiled-down, or even abstract heart of a picture.
Beyond all those formal concerns and matters of content, what interests me most is paint itself: how it lies, stands or races across the surface of the canvas. I've said to a couple of friends recently that "I want to make de Koonings and hide them inside of Homers". Not that I mean to imitate either of those artists — I just like to conceal the physically powerful wolf of abstraction within the sheep's clothing of a more seemingly conventional realism. You feel that you know it, or have seen it before a thousand times. But then you spend some time with it and realize that you don't know it at all.
A kind of deliberate brusqueness is the crucial agent of my mark-making, which is intentionally raw and roughly drawn. I have lost any interest in carefully rendering the minutia of fine detail, if indeed I ever had it to begin with. Large descriptive shapes, made with a loaded brush and moved by the whole arm, are what I'm after. The sense of atmosphere and emotion that those big gestures can convey is what I live for.
— Christopher Benson
Christopher Benson
I make pictures of a lot of different things. Sometimes I paint seascapes, sometimes landscapes or street scenes. Occasionally, I set figures in interiors or other architectural spaces. Some of these pictures are taken from things I saw directly. Others are conjured from memory, or from an accumulated compendium of internalized views.
But whether literally representational or imagined, I mean for all of my pictures to invite the viewer in with a sense of the familiar, while yet distilling some essential character of the subject that may feel surprising or even a bit odd. I find that I can achieve this by stripping out a great deal of extraneous detail in order to get to the boiled-down, or even abstract heart of a picture.
Beyond all those formal concerns and matters of content, what interests me most is paint itself: how it lies, stands or races across the surface of the canvas. I've said to a couple of friends recently that "I want to make de Koonings and hide them inside of Homers". Not that I mean to imitate either of those artists — I just like to conceal the physically powerful wolf of abstraction within the sheep's clothing of a more seemingly conventional realism. You feel that you know it, or have seen it before a thousand times. But then you spend some time with it and realize that you don't know it at all.
A kind of deliberate brusqueness is the crucial agent of my mark-making, which is intentionally raw and roughly drawn. I have lost any interest in carefully rendering the minutia of fine detail, if indeed I ever had it to begin with. Large descriptive shapes, made with a loaded brush and moved by the whole arm, are what I'm after. The sense of atmosphere and emotion that those big gestures can convey is what I live for.
— Christopher Benson
Lee Price
American Contemporary Figurative Realist painter Lee Price focuses on the subject of food with the solitary female figure in private, intimate settings — figures that are always lost in what might appear to be the bliss of consumption in highly unusual environments and portrayed from a unique aerial point of view. This odd perspective creates an illusion or feeling of an out of body experience as if the subject is looking down at herself. While clearly demonstrating her amazing technical skills, the circumstance of consistently depicting female figures in the act of compulsive behavior tends to hint at an underlying message.
Lee Price grew up in a small town in upstate New York, her mother was a high school art teacher, and her father left home when she and her two sisters were very young. As a result, Lee was raised in a household of women. She suspects that this may have had some impact on her work. As a Graduate of Moore College of Art of Philadelphia, Lee Price proved her amazing talent for painting. Early in her career Lee established a pattern of painting intimate moments of a woman’s life with a very realistic tone. Continuing her artistic development, she studied with the Bo Bartlett Art Students League, and had several years of private studies with Alyssa Monks through the New York Academy of Art. She relocated to California for eleven years, but has since returned to her home state, where she resides to this date.
Lee Price
American Contemporary Figurative Realist painter Lee Price focuses on the subject of food with the solitary female figure in private, intimate settings — figures that are always lost in what might appear to be the bliss of consumption in highly unusual environments and portrayed from a unique aerial point of view. This odd perspective creates an illusion or feeling of an out of body experience as if the subject is looking down at herself. While clearly demonstrating her amazing technical skills, the circumstance of consistently depicting female figures in the act of compulsive behavior tends to hint at an underlying message.
Lee Price grew up in a small town in upstate New York, her mother was a high school art teacher, and her father left home when she and her two sisters were very young. As a result, Lee was raised in a household of women. She suspects that this may have had some impact on her work. As a Graduate of Moore College of Art of Philadelphia, Lee Price proved her amazing talent for painting. Early in her career Lee established a pattern of painting intimate moments of a woman’s life with a very realistic tone. Continuing her artistic development, she studied with the Bo Bartlett Art Students League, and had several years of private studies with Alyssa Monks through the New York Academy of Art. She relocated to California for eleven years, but has since returned to her home state, where she resides to this date.
Nicholas Herrera
Justicia
mix media, 17" x 15" x 1.75"
Thomas Vigil
Virgen de los Dolores
mixed media, 40" x 30"
Thomas Vigil
Praying for Peace
mixed media, 30" x 30"
Sold
Nicholas Herrera
Trabajando en El Rancho
Retablo, Hand carved wood with natural pigments
23.75" x 29.75"
Nicholas Herrera
El Rito Summer
Hand carved wood with natural and acrylic pigments
24" x 24" x 2"
Nicholas Herrera
Justicia
mix media, 17" x 15" x 1.75"
Nicholas Herrera
Compasión
Hand carved wood with natural and acrylic pigments, mixed media
14.5" x 32.5" x 17.5"
Nicholas Herrera
La Batalla
hand carved wood with natural pigments, 24" x 21.25" x 14"
Sold
Nicholas Herrera
El Rito Summer
Hand carved wood with natural and acrylic pigments, 24" x 24" x 2"
Nicholas Herrera
Corazón de la Virgen de Guadalupe
Hand carved wood with natural pigments, 22" x 21" x 3"
Nicholas Herrera
Rosas Para Ti
Hand carved wood with natural and acrylic pigments, mixed media
21.5" x 16.75" x 2.75"
Kristine poole
Mythmaker
fired clay, Life-sized, 33" x 21" x 31"
Javier Marín
Maqueta reflejo VII
bronze and resin, 28" x 10.25" x 52" high. Base, 32.5" x 19.5" x 31.5" high, (edition 8 of 8)
Ester Curini
I Was Wild. They Named Me OR 4
acrylic on linen, 72" x 48"
Michael Scott
Fire Break Bitter Root
oil on panel, 11" x 8.5"
Michael Scott
Light Shaft After Fire
oil on panel, 10.25" x 8"
Louisa McElwain
Father Sky, Mother Earth
oil on Canvas, 30" x 46"
Michael Scott
Old Growth Forest
oil on canvas, 72" x 102"
Michael Scott
Old Growth Forest
oil on canvas, 72" x 102"
Thomas Vigil
Withering Faith
mixed media, 43.5" x 54"
Patrick mcGrath Muñiz
Fourth Quarantine
oil on canvas, 48" x 36"
Thomas Vigil
Save Me, Oh Lord!
mixed media oil on metal, 17" x 24"
Thomas Vigil
Ecce Homo/Behold the Man
mixed media, 24" x 18"
Patrick McGrath Muñiz
Lupine Awakening
oil on panel, 30" x 15"
Thomas Vigil
Dolores Huerta
mixed media, 18" x 25.5"
Thomas Vigil
Our Lady of 2020
mixed media, 14.75" x 9.5"
Sold
Patrick McGrath Muñiz
Clymene's Children
oil and gold leaf on panel, 30" x 15"
Patrick McGrath Muñiz
Fata Morgana
oil on triptych panel, 24" x 23"
Patrick McGrath Muñiz
Terram Ignoramus
oil and gold leaf on panel, 24" x 36"
Patrick mcGrath Muñiz
Sorores Lunae
oil and gold leaf on panel, 30" x 30"
Thomas Vigil
The Greatest Gift
mixed media w 23k gold leaf, 42" x 35"
Sold
Thomas Vigil
Past, Present, and Future
mixed media, 60" x 48"
Nicholas Herrera
La Corona
mix media, recycled antique auto parts, 92" x 88" x 30"
Nicholas Herrera
Cruz de los Siete Dolores
Hand carved wood with natural and acrylic pigments, 44" x 33" x 3.5"
Thomas Paquette
Veritas Caput
oil on linen, 48" x 36"
Kent Williams
Convergence Yumi
oil on linen, 50" x 50"
Kent Williams
Plate Glass Window: Typhoon
oil on linen, 24" × 24"
Kent Williams
Native Bone: Heart
oil on linen, 24" x 20"
Thomas Paquette
Distant Arc of I-280
oil on linen, 34" x 42"
Thomas Paquette
Distant Arc of I-280 - small
oil on linen, 14" x 16"
Thomas Paquette
Wandering Waters
oil on linen, 32" x 22"
Kristine poole
In My Dreams I Can Fly
fired clay, 38" x 17" x 21"
Thomas Paquette
Top of the Peninsula Sky
oil on linen, 38" x 54"
Kristine poole
Quintessence
bronze, ed of 11, 12" x 12" x 4"
Patrick McGrath Muñiz
Know Thyself
oil on panel, 30" x 30"
Patrick McGrath Muñiz
Kamazotz
oil on canvas, 40" x 60"