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GREGORY FERRAND

  
  
  
  

About Gregory Ferrand


Gregory Ferrand received a degree in film from Virginia Commonwealth University in 1997 and promptly headed off to Buenos Aires, Argentina to teach English to business people. While living there he kept an illustrated journal in which he experimented with different media and recorded his observations about the culture and people around him. In doing so, Ferand came to understand two things about himself: 1). that he was a painter and 2). that he was fascinated by the subtext of human interactions. He returned to the States in early 2000 and began painting seriously...

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Gregory pulls on influences as wide ranging as comics, Mexican muralists, and 1950's fashion to create paintings that reveal the beauty of living. His background in film is evident in the strong use of narrative he employs to tell stories about characters and situations that do, have, and will exist; gently unmasking the psychological or emotional state of the subject, inviting the viewer to share and/or identify.

Artist Statement


My most recent work explores the feeling and reality of being disconnected and alienated (which results in multiple personal realities), despite and sometimes because of the close proximity in which we live to one and other.

It is ironic that we, as innately social animals, often struggle to feel connected with friends, family, our communities, society, and the world at large. To overcome this, we set aside our basic instincts and learned biases in order to be "open." We hope, by doing so, to form a connection, so that we can reassure ourselves that we are not alone, that we share the same reality with someone else.

But "What is reality?" and "What is the truth?”
These questions, in regards to the human experience, are questions that have long informed the work that I create. My paintings do not provide the answers to these questions. Instead they are invitations for the viewer to enter the narrative, armed with their own understanding of the world, in order to have an authentic moment to share, identify with, and to find the answer(s) to these questions for themselves.

In this day and age when it can feel impossible to understand how our neighbor could raise their children the way they do, how they could behave the way they do, how they could vote the way they do, it is incumbent upon us to reflect on the realities we construct that make us different, and also try to see how, by just being human, we are the same.

Awards


2017 – Recipient of the DC Artist Fellowship Grant
2016 – Recipient of the DC Artist Fellowship Grant
2015 – Recipient of the DC Artist Fellowship Grant
2013 – Recipient of the DC Artist Fellowship Grant
2012 - Winner of the Society of Illustrators of Los Angeles Silver Award in the Gallery category of annual illustration competition
2010 - Winner of the Society of Illustrators of Los Angeles Award of Merit in the Gallery category of annual illustration competition
2009 - Winner of the Society of Illustrators of Los Angeles Award of Merit in the Gallery category of illustration competition
2008 - Winner of the Silver Lion at the Cannes International Advertising Festival

Selected Collections


Saatchi and Saatchi
American Airlines
the Mosaic Theater Company of Washington

Education


1993-1997 - Virginia Commonwealth University’s School of the Arts

2023

Glasses. Tyler, The Creator - CMIYGL: The Estate Sale/Album Cover Review. Sam Thomas

2021

Creative Review UK. Gregory Ferrand’s paintings explore disconnection and the human condition. Aimee Mclaughlin

Complex. The Story Behind Tyler The Creator’s ‘Call Me If You Get Lost’ Album Cover. Lei Takanashi

Creative Review UK. The Best Record Sleeves of the Year 2021. Megan Williams

Glasses. Tyler, The Creator - CMIYGL: The Estate Sale/Album Cover Review. Sam Thomas

Pasatiempo. Miles Away: Painter Gregory Ferrand. Michael Abatemarco

2020

Old Town Crier. Not Everyone Makes the Cut…These 10 Caught My Eye! F. Lennox Campello

Pasatiempo. Gregory Ferrand at EVOKE Contemporary. Michael Abatemarco

2019

Hi Fructose. The Cinematic Paintings of Gregory Ferrand. Andy Smith

2018

Wow x Wow. Gregory Ferrand - Authentic Moments - Artist Profile

Miroir: Passion. Gregory Ferrand

Tussle Magazine. Gregory Ferrand

Wow x Wow. In-Between-Places by Gregory Ferrand

2017

The Washington Post. In the galleries: The past invades the present in paintings by Gregory Ferrand. Mark Jenkins

East City Art. East City Art Reviews: Gregory Ferrand’s It Is You (And Me Too). Eric Hope

LIFO. Visually: Every time you look at Gregory Ferrand’s paintings, you discover hidden details. Vangélis Makrís

Creative Boom. Gregory Ferrand’s paintings that capture our complicated, emotional lives. Katy Cowan

Hill Rag. Art and The City - November 2017. Jim Magner

BOOOOOOOM. Artist Spotlight: Gregory Ferrand

Bourgeon. Evolution by Gregory Ferrand

Washington Magazine. Art in the City: Picture Perfect. Catherine Trifiletti

Narrative Painting. Gregory Ferrand, It IS You (and Me Too), 2017

2015

East City Art. Holiday Starkillers at Acostia Arts Center. Eric Hope

2014

East City Art. Holiday Starkillers at Acostia Arts Center. Eric Hope

2014

The Bulletin. Sisters Artist Has New Book: Pages Explore Irene Hardwicke Olivieri’s Nuanced, Complex Paintings. David Jasper

2014

HuffPost. Conversation with Irene Hardwicke Olivieri. Marcia G. Yerman

  • Gregory Ferrand 2019
 
 
  • Gregory Ferrand 2019
  • Gregory Ferrand 2019
Ester Curini 2019

Available Work


We Had Different Plans
acrylic on canvas, 20 x 20CLICK FOR INQUIRY
I Am Not Really Here
acrylic on canvas, 24 x 48CLICK FOR INQUIRY

Archive: Sold


Oh What a World!
acrylic on canvas, 20 x 20
I Had a Dream That You Were Mine
acrylic on canvas, 24 x 30SOLD
Sheltering In Place
acrylic on canvas, 36 x 36SOLD